Q&A: Brian Eno
Interview. Interesting throughout. “By the mid-’60s, recorded music was much more like painting than it was like traditional music. When you went into the studio, you could put a sound down, then you could squeeze it around, spread it all around the canvas. Once you’re working in a multitrack studio you stop thinking of the music as performance and you start thinking of it as sound painting” (Metered paywall)
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