From The Guardian:
In looking at
In Our Time and
A Moveable Feast, we've mainly focused on Hemingway as a young man: fit, young and heading for the stratosphere. But as
Mogger64 noted in his original nomination, it's significant that A Moveable Feast was "written at the end of his life". It isn't quite the work of an old man. Hemingway never made it that far. But it's pretty much the last word from someone on the way out. It speaks as loudly of Hemingway at the end of his career as it does of the beginning. And that career was remarkable. He had done it all by 1956, when he was spurred into reminiscence following the rediscovery of some old Paris notebooks which had lain for many years in a trunk in the basement of the Ritz hotel. He'd won the Nobel prize. He'd won the Pulitzer prize. He'd sold hundreds of thousands of books. He'd inspired dozens of imitators. He'd become an adjective and a legend. His life outside writing was just as celebrated: the bull fight aficionado, the boxer, the big game hunter, the fisherman, the friend of Spanish Republicans,
the man who liberated Paris. Papa: the tall, handsome, heavyweight alpha male.
But by 1956 all that was heading into memory, if it had ever really existed.
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