2013年10月21日星期一

Seduction and Power: Cathedrals and Capitalism

Alexander Strecker in lensculture:
Seduction-porchet
In his two-part series, “Seduction” and “Meeting”, Cyril Porchet examines the nature of spectacle, comparing Baroque churches to the modern-day corporate shareholder meeting. Porchet created “Seduction” by photographing from the choirs of Baroque churches across Europe. In person, these places feel enormousAnd indeed, Porchet’s prints are giant, 1.2 m x 1.6 m, allowing the viewer to fall into the details almost as if they were present at the churches themselves. But Porchet’s works are not mere re-creations. His photographs transform these massive spaces into a series of flat, but still nearly infinite, displays of extravagance. Although these churches, as physical structures, took decades to build and remain with us today, they were also spectacles, designed to elicit a much more immediately felt sense of wonder and piety.
More here.
- See more at: http://www.3quarksdaily.com/#sthash.UbpM185T.dpuf

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